The award winning veteran vibraphonist, pianist, composer and teacher, Jim Cooper, has been playing the vibes for over 50 years, leading numerous groups and appearing as both soloist and sideman. He has performed with international jazz artists Frank Wess, Milt Hinton, Mark Levine, Marcus Belgrave, Ira Sullivan, Buddy de Franco, and Jon Faddis and the Chicago Jazz Ensemble. Originally from Chicago and moving to West Michigan in 1997, he has performed with many musicians from that state including Dave Bennett, Jeff Haas, Jerry McKenzie, Tad Weed and Paul Keller to name a few. 

He has appeared in many clubs, concerts and festivals including The Chicago Jazz Festival, Sutton’s Bay (MI) Jazz Festival, Lansing Jazz Festival, Sedona Jazz on the Rocks, Grand Rapids Jazz Festival, The South Haven Jazz Festival, Paradise Valley Jazz Party (AZ), Chicago’s Millennium Park, Joe Segal’s Jazz Showcase, Chicago’s Green Mill,  Baker’s Keyboard Lounge, Cleveland's Bop Stop and venues in Phoenix, San Francisco,  Denver and Taiwan.  

 As a Delmark recording artist in the early 90s, he released two CDs with jazz legend Ira Sullivan, Tough Town and Nutville.  Other CDs as a leader include Itchin' to Groove, Trio Musik Chi-Town Sessions and his latest, Make Someone Happy, also with multi-instrumentalist Ira Sullivan. 

Jim’s awards include a 1986 National Endowment for the Arts grant, a WYCE-FM "Jammie Award," and ArtPrize's 2015 "Best Jazz Composition Award" for his song, Third Circle.  His song, Mallethead was included in the 2019 book, The City Was Yellow, Chicago Jazz and Improvised Music 1980-2010. 2022, featured his song, Waltz For Betty on the Apple TV show, For All Mankind. 

As an educator, Jim has taught jazz vibraphone for the Jazz Institute of Chicago, Northwestern University as well as at percussion and jazz clinics. Since 2001, he has taught jazz at Blue Lake Fine Arts Summer Camp and is currently, an adjunct music instructor at Lake Michigan College. He endorses Musser Vibes and Mike Balter Mallets. 



“. . . the more you listen, the more you appreciate the quiet but marked strength of Cooper’s style . . . he impresses with his stylistic range and the harmonically assured manner in which he draws his fellow players together.” 

Chicago Sun-Times 


“Cooper is not just a strong soloist but an accomplished band-leader as well, he played with a degree of subtlety and craft one does not often encounter in the work of performers far better known than he.” 

Chicago Tribune 


“. . . he’s no kid, judging by his mature lines . . . a warm vibist who goes for the heart.” 

Jazz Times 


“There seems no limit to the range of Cooper’s moods and themes: he delves deeply into each tune, from bop to bossa....he maintains openness through his warm, unfettered lines.” 

Cleveland (OH) Jazz Report 


 “. . . nothing tricky, nothing overly glossy, and nothing so sophisticated that it’s lost touch with the streets.” 

Chicago Reader 


“...your vibes are warm and true, the McCoy!” 

Studs Terkel 


“Cooper gave the evening the sort of depth of modern jazz knowledge you’d expect from a Chicagoan.”....masterful vibraphone playing..." 

Grand Rapids Press 


“When the mallets are in the hands of the exceptionally talented Jim Cooper, it’s an extraordinary and inspired performance vs. the mere ordinary! 

Grand Rapids Jazz Society Newsletter 


 "Jim is the real deal, he's been there, done that and has been woefully under-recorded during his long career."

International Association of Jazz Record Collectors


"An imaginative improviser, Cooper delivered quicksilver solos and propulsive rhythms..." 

AZ Music Scene 


“...a very good player of standards and originals...deserving wider recognition." 

All Music Guide 


"Cooper never missed a note,  the man is as smooth on the vibraphone as a baby's hand in the breeze." 

Burlington (IA) Hawkeye